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Well, the first thing i want to say is...'mandate my ass!'
Because it seems as though weand've been convinced that 26% of the registered voters, not even 26% of the american people, but 26% of the registered voters form a mandate - or a landslide. 21% voted for skippy and 3, 4% voted for somebody else who might have been running.
but, oh yeah, i remember. in this year that we have now declared the year from shogun to reagan, i remember what i said about reagan...meant it. acted like an actor...hollyweird. acted like a liberal. acted like general franco when he acted like governor of california, then he acted like a republican. then he acted like somebody was going to vote for him for president. and now we act like 26% of the registered voters is actually a mandate. weand're all actors in this i suppose.
what has happened is that in the last 20 years, america has changed from a producer to a consumer. and all consumers know that when the producer names the tune...the consumer has got to dance. thatand's the way it is. we used to be a producer - very inflexible at that, and now we are consumers and, finding it difficult to understand. natural resources and minerals will change your world. the arabs used to be in the 3rd world. they have bought the 2nd world and put a firm down payment on the 1st one. controlling your resources weand'll control your world. this country has been surprised by the way the world looks now. they donand't know if they want to be matt dillon or bob dylan. they donand't know if they want to be diplomats or continue the same policy - of nuclear nightmare diplomacy. john foster dulles ainand't nothing but the name of an airport now.
the idea concerns the fact that this country wants nostalgia. they want to go back as far as they can - even if itand's only as far as last week. not to face now or tomorrow, but to face backwards. and yesterday was the day of our cinema heroes riding to the rescue at the last possible moment. the day of the man in the white hat or the man on the white horse - or the man who always came to save america at the last moment - someone always came to save america at the last moment - especially in 'b' movies. and when america found itself having a hard time facing the future, they looked for people like john wayne. but since john wayne was no longer available, they settled for ronald reagan - and it has placed us in a situation that we can only look at - like a 'b' movie.
come with us back to those inglorious days when heroes werenand't zeros. before fair was square. when the cavalry came straight away and all-american men were like hemingway to the days of the wondrous 'b' movie. the producer underwritten by all the millionaires necessary will be casper 'the defensive' weinberger - no more animated choice is available. the director will be attila the haig, running around frantically declaring himself in control and in charge. the ultimate realization of the inmates taking over at the asylum. the screenplay will be adapted from the book called 'voodoo economics' by george 'papa doc' bush. music by the 'village people' the very military andquot;macho man.andquot;
'company!!!'
'macho, macho man!'
' two-three-four.'
' he likes to be - well, you get the point.'
'huuut! your left! your left! your left...right, left, right, left, right...!'
a theme song for saber-rallying and selling wars door-to-door. remember, weand're looking for the closest thing we can find to john wayne. clichés abound like kangaroos - courtesy of some spaced out marlin perkins, a reagan contemporary. clichés like, 'itchy trigger finger' and 'tall in the saddle' and 'riding off or on into the sunset.' clichés like, 'get off of my planet by sundown!' more so than clichés like, 'he died with his boots on.' marine tough the man is. bogart tough the man is. cagney tough the man is. hollywood tough the man is. cheap stick tough. and bonzoand's substantial. the ultimate in synthetic selling: a madison avenue masterpiece - a miracle - a cotton-candy politician...presto! macho!
'macho, macho man!'
put your orders in america. and quick as kodak your leaders duplicate with the accent being on the nukes - cause all of a sudden we have fallen prey to selective amnesia - remembering what we want to remember and forgetting what we choose to forget. all of a sudden, the man who called for a blood bath on our college campuses is supposed to be dudley 'god-damn' do-right?
'you go give them liberals hell ronnie.' that was the mandate. to the new 'captain bly' on the new ship of fools. it was doubtlessly based on his chameleon performance of the past - as a liberal democrat - as the head of the studio actorand's guild. when other celluloid saviors were cringing in terror from mccarthy - ron stood tall. it goes all the way back from hollywood to hillbilly. from liberal to libelous, from 'bonzo' to birch idol...born again. civil rights, womenand's rights, gay rights...itand's all wrong. call in the cavalry to disrupt this perception of freedom gone wild. god damn it...first one wants freedom, then the whole damn world wants freedom.
nostalgia, thatand's what we want...the good oland' days...when we gaveand'em hell. when the buck stopped somewhere and you could still buy something with it. to a time when movies were in black and white - and so was everything else. even if we go back to the campaign trail, before six-gun ron shot off his face and developed hoof-in-mouth. before the free press went down before full-court press. and were reluctant to review the menu because they knew the only thing available was - crow.
lon chaney, our man of a thousand faces - no match for ron. doug henning does the make-up - special effects from grecian formula 16 and crazy glue. transportation furnished by the david rockefeller of remote control company. their slogan is, 'why wait for 1984? you can panic now...and avoid the rush.'
so much for the good news...
as wall street goes, so goes the nation. and hereand's a look at the closing numbers - racismand's up, human rights are down, peace is shaky, war items are hot - the house claims all ties. jobs are down, money is scarce - and common sense is at an all-time low on heavy trading. movies were looking better than ever and now no one is looking because, weand're starring in a 'b' movie. and we would rather had john wayne...we would rather had john wayne.
andquot;you donand't need to be in no hurry.
you ainand't never really got to worry.
and you donand't need to check on how you feel.
just keep repeating that none of this is real.
and if youand're sensing, that somethingand's wrong,
well just remember, that it wonand't be too long
before the director cuts the scene...yea.andquot;
'this ainand't really your life,
ainand't really your life,
ainand't really ainand't nothing but a movie.'
[refrain repeated about 25 times or more in an apocalyptic crescendo with a military cadence.]
'this ainand't really your life,
ainand't really your life,
ainand't really ainand't nothing but a movie.'
Bueno, lo primero que quiero decir es ... "el mandato de mi culo!"
Porque parece como si weand've estado convencido de que el 26% de los votantes registrados, ni siquiera el 26% del pueblo estadounidense, pero el 26% de los votantes registrados forma de un mandato - o una avalancha. 21% votó a favor de Skippy y 3, un 4% votó a favor de otra persona que podría haber estado en funcionamiento.
pero, oh sí, lo recuerdo. en este año que ya hemos declarado el año de shogun a Reagan, recuerdo lo que dijo acerca de Reagan ... hablaba en serio. actuó como un actor ... Hollyweird. actuó como un liberal. actuó como el general Franco, cuando se desempeñó como gobernador de california, y actuó como un republicano. luego actuó como si alguien iba a votar por él para presidente. y ahora actuamos como un 26% de los votantes registrados es en realidad un mandato. weand're todos los actores de esta, supongo.
lo que ha sucedido es que en los últimos 20 años, Estados Unidos ha pasado de ser un productor a un consumidor. y todos los consumidores saben que cuando el productor de los nombres de la canción ... el consumidor tiene que bailar. thatand es la manera que lo es. que solía ser un productor - muy inflexible en eso, y ahora somos consumidores, y resulta difícil de entender. natural
Ayúdanos a mejorar, si encuentras errores ¡Envíanos tu corrección!
Gil Scott Heron
B movie
B movie
Well, the first thing i want to say is...'mandate my ass!'
Because it seems as though weand've been convinced that 26% of the registered voters, not even 26% of the american people, but 26% of the registered voters form a mandate - or a landslide. 21% voted for skippy and 3, 4% voted for somebody else who might have been running.
but, oh yeah, i remember. in this year that we have now declared the year from shogun to reagan, i remember what i said about reagan...meant it. acted like an actor...hollyweird. acted like a liberal. acted like general franco when he acted like governor of california, then he acted like a republican. then he acted like somebody was going to vote for him for president. and now we act like 26% of the registered voters is actually a mandate. weand're all actors in this i suppose.
what has happened is that in the last 20 years, america has changed from a producer to a consumer. and all consumers know that when the producer names the tune...the consumer has got to dance. thatand's the way it is. we used to be a producer - very inflexible at that, and now we are consumers and, finding it difficult to understand. natural resources and minerals will change your world. the arabs used to be in the 3rd world. they have bought the 2nd world and put a firm down payment on the 1st one. controlling your resources weand'll control your world. this country has been surprised by the way the world looks now. they donand't know if they want to be matt dillon or bob dylan. they donand't know if they want to be diplomats or continue the same policy - of nuclear nightmare diplomacy. john foster dulles ainand't nothing but the name of an airport now.
the idea concerns the fact that this country wants nostalgia. they want to go back as far as they can - even if itand's only as far as last week. not to face now or tomorrow, but to face backwards. and yesterday was the day of our cinema heroes riding to the rescue at the last possible moment. the day of the man in the white hat or the man on the white horse - or the man who always came to save america at the last moment - someone always came to save america at the last moment - especially in 'b' movies. and when america found itself having a hard time facing the future, they looked for people like john wayne. but since john wayne was no longer available, they settled for ronald reagan - and it has placed us in a situation that we can only look at - like a 'b' movie.
come with us back to those inglorious days when heroes werenand't zeros. before fair was square. when the cavalry came straight away and all-american men were like hemingway to the days of the wondrous 'b' movie. the producer underwritten by all the millionaires necessary will be casper 'the defensive' weinberger - no more animated choice is available. the director will be attila the haig, running around frantically declaring himself in control and in charge. the ultimate realization of the inmates taking over at the asylum. the screenplay will be adapted from the book called 'voodoo economics' by george 'papa doc' bush. music by the 'village people' the very military andquot;macho man.andquot;
'company!!!'
'macho, macho man!'
' two-three-four.'
' he likes to be - well, you get the point.'
'huuut! your left! your left! your left...right, left, right, left, right...!'
a theme song for saber-rallying and selling wars door-to-door. remember, weand're looking for the closest thing we can find to john wayne. clichés abound like kangaroos - courtesy of some spaced out marlin perkins, a reagan contemporary. clichés like, 'itchy trigger finger' and 'tall in the saddle' and 'riding off or on into the sunset.' clichés like, 'get off of my planet by sundown!' more so than clichés like, 'he died with his boots on.' marine tough the man is. bogart tough the man is. cagney tough the man is. hollywood tough the man is. cheap stick tough. and bonzoand's substantial. the ultimate in synthetic selling: a madison avenue masterpiece - a miracle - a cotton-candy politician...presto! macho!
'macho, macho man!'
put your orders in america. and quick as kodak your leaders duplicate with the accent being on the nukes - cause all of a sudden we have fallen prey to selective amnesia - remembering what we want to remember and forgetting what we choose to forget. all of a sudden, the man who called for a blood bath on our college campuses is supposed to be dudley 'god-damn' do-right?
'you go give them liberals hell ronnie.' that was the mandate. to the new 'captain bly' on the new ship of fools. it was doubtlessly based on his chameleon performance of the past - as a liberal democrat - as the head of the studio actorand's guild. when other celluloid saviors were cringing in terror from mccarthy - ron stood tall. it goes all the way back from hollywood to hillbilly. from liberal to libelous, from 'bonzo' to birch idol...born again. civil rights, womenand's rights, gay rights...itand's all wrong. call in the cavalry to disrupt this perception of freedom gone wild. god damn it...first one wants freedom, then the whole damn world wants freedom.
nostalgia, thatand's what we want...the good oland' days...when we gaveand'em hell. when the buck stopped somewhere and you could still buy something with it. to a time when movies were in black and white - and so was everything else. even if we go back to the campaign trail, before six-gun ron shot off his face and developed hoof-in-mouth. before the free press went down before full-court press. and were reluctant to review the menu because they knew the only thing available was - crow.
lon chaney, our man of a thousand faces - no match for ron. doug henning does the make-up - special effects from grecian formula 16 and crazy glue. transportation furnished by the david rockefeller of remote control company. their slogan is, 'why wait for 1984? you can panic now...and avoid the rush.'
so much for the good news...
as wall street goes, so goes the nation. and hereand's a look at the closing numbers - racismand's up, human rights are down, peace is shaky, war items are hot - the house claims all ties. jobs are down, money is scarce - and common sense is at an all-time low on heavy trading. movies were looking better than ever and now no one is looking because, weand're starring in a 'b' movie. and we would rather had john wayne...we would rather had john wayne.
andquot;you donand't need to be in no hurry.
you ainand't never really got to worry.
and you donand't need to check on how you feel.
just keep repeating that none of this is real.
and if youand're sensing, that somethingand's wrong,
well just remember, that it wonand't be too long
before the director cuts the scene...yea.andquot;
'this ainand't really your life,
ainand't really your life,
ainand't really ainand't nothing but a movie.'
[refrain repeated about 25 times or more in an apocalyptic crescendo with a military cadence.]
'this ainand't really your life,
ainand't really your life,
ainand't really ainand't nothing but a movie.'
Gil Scott Heron
B película
B película
Bueno, lo primero que quiero decir es ... "el mandato de mi culo!"
Porque parece como si weand've estado convencido de que el 26% de los votantes registrados, ni siquiera el 26% del pueblo estadounidense, pero el 26% de los votantes registrados forma de un mandato - o una avalancha. 21% votó a favor de Skippy y 3, un 4% votó a favor de otra persona que podría haber estado en funcionamiento.
pero, oh sí, lo recuerdo. en este año que ya hemos declarado el año de shogun a Reagan, recuerdo lo que dijo acerca de Reagan ... hablaba en serio. actuó como un actor ... Hollyweird. actuó como un liberal. actuó como el general Franco, cuando se desempeñó como gobernador de california, y actuó como un republicano. luego actuó como si alguien iba a votar por él para presidente. y ahora actuamos como un 26% de los votantes registrados es en realidad un mandato. weand're todos los actores de esta, supongo.
lo que ha sucedido es que en los últimos 20 años, Estados Unidos ha pasado de ser un productor a un consumidor. y todos los consumidores saben que cuando el productor de los nombres de la canción ... el consumidor tiene que bailar. thatand es la manera que lo es. que solía ser un productor - muy inflexible en eso, y ahora somos consumidores, y resulta difícil de entender. natural
Ayúdanos a mejorar, si encuentras errores ¡Envíanos tu corrección!
